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He was right: the revolution failed because of bad leadership, and the people were too consumed with in-fighting and putting idols on a pedestal.
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In addition, I am especially fond of Mabini’s role in this movie because he is the brave representation of all the voices ignored in every problematic administration: the opposition that merely speaks the truth, and yet suffers from it. Goyo in its essence was an epitaph: here lies neither a hero nor a villain, just a man. And in his fall, as the Americans stripped his corpse of his earthly possessions, we are strongly reminded that death will always be the great equalizer.
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If the flashbacks made you uncomfortable, then good, now you know what being constantly invaded by intrusive thoughts feels like. The movie did a spectacular job of relaying his internal struggles and mental state through the use of brilliant and repetitive imagery. What I loved most about the film was that it didn’t try to be his absolution, it was merely stating how he must have seen his life through his own eyes. Gregorio Del Pilar was a fierce soldier, a loyal general, a good leader to his men, a hero of Bulacan–yet at the same time, he is a murderer, a treacherous playboy and the worshipper of a false god. Who was Gregorio Del Pilar? Was he a glorified butcher history should have buried or a hero deserving of praise and admiration? Goyo told his story in rich shades of grey: his sacrifice in Tirad Pass did not mean he was not to be held accountable for his misdeeds.
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I also enjoyed how Joven was given his place in the story, a character insertion that reminded me of the classic kid’s TV show, Bayani. Julian Del Pilar, his older brother, served as his enabler, the morally ambiguous wingman on his shoulder and a contributor to the swelling of his ego, and on his right sits Vicente Enriquez, the voice of reason and empathy. It was worth highlighting that throughout the film, Gregorio as a character was also defined by the company he keeps. Gregorio Del Pilar was reduced to nothing more than a boy, crumbling from the weight of the responsibilities and expectations that came with his rank and achievements. Paulo Avelino broke my initial expectations when he delivered a performance that challenged our image of the titular historical figure. The GoodGregorio Del Pilar himself is one of our history’s most controversial characters: famous for his long string of lovers that rivals that of Jose Rizal’s, and for his stunt in Tirad Pass that remains debatable until today as to whether it was heroic or vain. As director Jerrold Tarog had stated before, Goyo: Ang Batang Heneral is a call to critical thinking–a film we need right now whether the public wants it or not. The film no longer concerns itself with the question of historical accuracy, but rather focuses on being a stark reflection of the fatal flaws the Filipino nation still suffers from today: blind idolatry and tribalism. It's wartime, after all.or at least, that's what he wants Aguinaldo to finally accept.Perfect for: History nerds and people who loved Heneral Lunaįollowing the events of Heneral Luna and Angelito, Goyo: Ang Batang Heneral opens with a somber note as the voice of Apolinario Mabini (played by the talented Epy Quizon) drops his revelations. The first 30 minutes seem like postcards of his personality, with brief scenes showcasing his bold patriotism, the troubles he had in dealing with President Aguinaldo's cabinet members, and singleminded dedication to "Artikulo Uno." It's a rule that gives a general the authority to carry out a fatal punishment for insubordination, i.e., General Luna will shoot you if you don't follow his orders.
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The screenplay depicts General Luna as loud, abrasive, a bit brash, and borderline mad (as most brilliant men seem to be). John Arcilla commits to the role unabashedly. His face is without a doubt familiar (as is his white hat) yet, we forget the little details of his life.like the names of the men who may or may not be responsible for the death of the greatest and some say the only general the Philippines ever had. By the time we graduate from high school, we're supposed to be familiar with at least some of our heroes-especially those with mustaches as majestic as that of General Antonio Luna. (SPOT.ph) We want to say "spoilers," but that wouldn't make sense.